Sometimes the pleasure of a good Lifetime film is how ridiculous it is. But there’s something to be said for a simple, grounded story done well. Trapped in Her Dorm Room has the potential to be completely over the top. As written by Casey John, however, the story about an obsessive, entitled man who imprisons […]
Sometimes the pleasure of a good Lifetime film is how ridiculous it is. But there’s something to be said for a simple, grounded story done well.
Trapped in Her Dorm Room has the potential to be completely over the top. As written by Casey John, however, the story about an obsessive, entitled man who imprisons his crush in her college room over Spring Break is chillingly plausible (the story does, in fact, allege to be ‘Inspired by true events’).
Erin Wallace (Ciara Hanna) is a promising art student living a relatively sheltered life. She’s a scholarship student, which means she’s obsessed with her grades, much to the chagrin of her roommate Kaley (Aja Hinds), who wants her to cut loose and come to Daytona Beach for Spring Break. Erin demurs, arguing that she needs the quiet time to work on a major project.
Her decision appeals to Cade Rowlands (Will Sparks III), the nice guy in Erin’s program who is obviously obsessed with her. Cade also plans to stay on the nearly deserted campus in order to try and woo Erin while everyone is away.
Things come to a head when Kaley convinces Erin to change her mind, resulting in an argument between the artist and Cade that takes a violent turn when he pursues Erin into her room. Our lead is knocked out and, when Erin awakens, she discovers that Cade has tied her to the bed. With Kaley on vacation and Erin’s overbearing mom, Andrea (Nicole Dionne) mistakenly went with her, Erin is left at the mercy of a jealous, possessive, and potentially violent man for a week.
The film adopts the usual Lifetime approach by opening at the end and then flashing back, so we know in advance that Erin escapes Cade’s clutches at some point. It’s one of the few major missteps Trapped in Her Dorm Room makes, if only because the framing device adds very little value aside from an obvious opening hook.
The film is best when director Peter Sullivan lets Hanna and Sparks III do their thing, with sporadic complications introduced to shake up the primarily single-setting film. The vast majority of Trapped in Her Dorm Room takes place in the titular dorm, but Sullivan trusts the interactions between captive and captor to carry the drama.