Director Leigh Whannell (The Invisible Man) returns to the world of the Universal Monsters with next year’s Wolf Man, and Empire has shared a brand new image this week. Additionally, the outlet sat down for a chat with Whannell that has been published in part this morning. Whannell promises that his Wolf Man is a straight up […]
Director Leigh Whannell (The Invisible Man) returns to the world of the Universal Monsters with next year’s Wolf Man, and Empire has shared a brand new image this week.
Additionally, the outlet sat down for a chat with Whannell that has been published in part this morning. Whannell promises that his Wolf Man is a straight up horror movie, for starters. He also teases that the new movie aims to bring something fresh to the werewolf sub-genre.
Whannell explains, “Upgrade was more sci-fi action. I was watching a lot of domestic thrillers when I wrote The Invisible Man, because I love that genre. [Wolf Man] is me saying, ‘I just wanted to make something that is straight-up, pure horror.’”
“I think of it as a companion piece to The Invisible Man,” he continues. “I didn’t want this film to be a nostalgic or a retro Wolf Man film in any way. [I was] actually writing down in my notepad everything that’s been done, and then saying, ‘Okay, that’s the list of what not to do.’ I’m hoping that you go in and say, ‘Oh wow, I haven’t seen that werewolf movie before,’ when the lights come up.”
From Universal and Blumhouse, Whannell’s Wolf Man will be howling its way into theaters on January 17, 2025. Check out the new image below and expect a full trailer soon.
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Golden Globe nominee Christopher Abbott (Poor Things, It Comes at Night) stars as Blake, a San Francisco husband and father, who inherits his remote childhood home in rural Oregon after his own father vanishes and is presumed dead. With his marriage to his high-powered wife, Charlotte (Emmy winner Julia Garner; Ozark, Inventing Anna), fraying, Blake persuades Charlotte to take a break from the city and visit the property with their young daughter, Ginger (Matlida Firth; Hullraisers, Coma).
But as the family approaches the farmhouse in the dead of night, they’re attacked by an unseen animal and, in a desperate escape, barricade themselves inside the home as the creature prowls the perimeter. As the night stretches on, however, Blake begins to behave strangely, transforming into something unrecognizable, and Charlotte will be forced to decide whether the terror within their house is more lethal than the danger without.
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