After the box office success of M3GAN in 2023, which scared up $180 million worldwide, it seemed like a sure thing that Blumhouse had a hit new franchise on their hands. In addition to a sequel, they also ordered up a universe-expanding spinoff movie titled SOULM8TE – currently dated for January 2026 release – and […]
After the box office success of M3GAN in 2023, which scared up $180 million worldwide, it seemed like a sure thing that Blumhouse had a hit new franchise on their hands. In addition to a sequel, they also ordered up a universe-expanding spinoff movie titled SOULM8TE – currently dated for January 2026 release – and the future for the killer doll seemed bright.
But M3GAN 2.0 crashed and burned at the box office, making just $10.2 million across its opening weekend. The sequel’s predecessor hit an opening weekend total of $30.4 million, which paints a clear picture that something went very wrong here. But what exactly happened?
In a post-mortem interview with the podcast The Town that just released today, Jason Blum shares his surprisingly honest thoughts about the box office failure of M3GAN 2.0, which Blumhouse was at point expecting to debut with upwards of $45 million. That tracking number went further and further down as the weeks went on, with the film ultimately debuting to a fraction of those early hopes. Blum admits, “We all thought M3GAN was like Superman. We could do anything to her. We could change genres. We could put her in the summer. We could make her look different. We could turn her from a bad guy into a good guy. And we kind of classically over thought how powerful people’s engagement was really with her.”
And that’s how we ended up with Gerard Johnstone’s M3GAN 2.0, which takes a Terminator 2 approach to the previous movie, ramping up the budget and the action spectacle for a follow-up that turns the killer doll of the first movie into something of an action hero. The genre swap from horror to sci-fi/action, it seems, is at least partly to blame for M3GAN 2.0‘s failure to connect with audiences. So too, it would seem, is Blumhouse’s summer release strategy, which pit the killer doll up against not only new adversary Amelia but also behemoth summer blockbusters including and this week’s .