Zach Cregger’s ‘Resident Evil’ Is a “Complete New Set Up”
Video games are incredibly difficult to translate to the big screen, but decades of successes and failures now provide a […]

Video games are incredibly difficult to translate to the big screen, but decades of successes and failures now provide a […]

He continues: “With Resident Evil, we have had an incredible journey with one of the most successful international IPs of more than a billion dollars in box office for many years, and now we are creating something new, not just a new story idea, but to allow a new generation to take the IP into their own hands and form something different.”
How are they able to take such filmmaker-friendly swings?
“The opportunity for us in the U.S. is unique,” says Berben. “We have an advantage because we are coming with the territories already. We’ll make things work. We can give filmmakers the opportunity to finally make their movies.”
For horror fans, this is an encouraging development. While audiences often call for more original films, the current focus on established IP is unlikely to change. The most promising outcome is for projects that give directors the freedom to bring a distinct voice to familiar material.
In a completely reactive industry, all eyes are on Resident Evil.