‘Obsession’ Heads Into the Golden Globes Comedy Race, and Horror Deserves Some Damn Respect
Curry Barker’s Obsession is making a run at the Golden Globes in the musical/comedy categories. Scott Feinberg reports exclusively for […]

Curry Barker’s Obsession is making a run at the Golden Globes in the musical/comedy categories. Scott Feinberg reports exclusively for […]

It’s exhausting. Pundits declare the genre dead, another horror movie breaks out, and suddenly horror is alive again. As if the fans disappeared. As if filmmakers stopped doing interesting things between the movies that made enough money to get everybody else to notice.
And even when a film becomes a phenomenon, we’re still arguing about how to classify it. The humor is part of the movie. So is the terror. Why does it so often feel like horror is the part we have to explain away?
That attitude is insulting. It’s super fucking rude to the filmmakers, the performers, and the audience that keeps showing up. Scaring people takes skill. A performance that makes you deeply uncomfortable deserves to be considered with the same seriousness as one that makes you cry.
But I don’t want my frustration with all of that to overshadow what matters here: Obsession deserves awards. Navarrette deserves awards. And Barker deserves recognition for what he pulled off.
This was a special moment for horror, and I want us to get behind it. Root for her. Root for the film. Root for Barker. Whatever category they end up competing in, I want to see them walk away with something.
If you still need to catch up, Obsession is on Peacock.