‘Christmas at the Kringles’ Review – An Uneven Holiday Horror Tale with Nice Wrapping and Not Much Else
Matt Konopka reviews Kevin Lewis’ ‘Christmas at the Kringles’, an uneven holiday horror tale with a great cast and not much else.

Matt Konopka reviews Kevin Lewis’ ‘Christmas at the Kringles’, an uneven holiday horror tale with a great cast and not much else.

From the moment he meets them, Mark’s onto the Kringles. He’s like the rest of us who see Christmas decorations in the store before Halloween and feel like a blood vessel is about to pop. So, of course, the new neighbors annoy the hell out of him. No, the holidays aren’t Mark’s thing. Unfortunately, neither is being a good husband or father. He and his wife are in couples therapy because he has a lying problem and tends to focus on work (stock trading) over his family. Both Julie and Bobby are down on Mark. And they have every reason to be. That becomes especially apparent when Mark’s gifts don’t arrive on time, and Nick shows up in a Santa outfit to save the day.
Good guy, right? Wrong.
So says the cast of characters who make up Mark’s other neighbors. A member of a secret society of mall Santas (Rob Riggle) and an unemployed adult man living in his mom’s garage, Daryl (Donald Faison), know the Kringles are murderers. But they haven’t been able to prove it. So, when Mark’s family begins spending a little too much time with the neighbors and disappear on Valentine’s Day, he enlists the help of the two man-children to rescue his brainwashed kin.
On the comedic side, Lewis gathers a superb collection of actors with roots in making audiences keel over laughing. They are by far the strength of the film because even when the clunky dialogue doesn’t work, they deliver it with enough quirky energy to at least pull out a smile. They recall The Burbs and that film’s assortment of comedic actors trying to take down a suspicious family, with Lewis channeling Dante in the oddball comedy. Lennon takes the reins as an over-the-top psycho who’s clearly having a blast playing a madman. Myrin matches his manic madness, playing her role with a delightful vigor that’s at once joyful Christian mom and cutthroat lunatic. Despite the flaws, it’s the performers that keep this hunk of coal burning.

As for the horror, the film starts promising enough, with a woman chased through a haunted house maze of red and green neon and holiday decorations. She’s impaled by a Christmas tree, then made into the ornament topper. It’s a scene that teases a gift of holiday-themed gore ahead…and then never lives up to that promise. Like opening a new Xbox on Christmas morning, only to get nothing but pairs of socks from grandma.
Through a bevy of Dutch angles, smoky atmospherics, and eerie neon, Lewis makes a valiant effort at establishing tension, but struggles as much as Santa driving his sleigh without Rudolph to guide the way. For all the emphasis on “joy” that decorates the surface, there’s a real lack of creativity beneath the colorful wrapping. Instead, the script gets bogged down with nonsensical exposition surrounding yet another secret society of Christmas-loving weirdos. Despite opportunity after opportunity, kills occur off-screen, and almost none employ the fun holiday-themed weaponry the premise implies. Curious visuals like a Christmas Gimp and freaky elf masks show up, highlighting the cult aspect while again feeling like nothing more than shiny wrapping paper over an empty box.
I keep mentioning “joy”, and you could play a drinking game with how many times the word is uttered. Not that I’d recommend it, since that won’t go well for anyone. The Kringles constantly flaunt joy in front of Mark and his family, brainwashing Julie and Bobby through a false promise of happiness. That ties into the film’s vague attempts at a commentary regarding scammers (the Kringles are also crypto scammers, I guess?). The filmmakers are right that the mere idea of joy is just that when there isn’t truth behind it. It can’t be forced, no matter how many days in a row your family celebrates Christmas (once a year is enough, thank you). And in the case of Christmas at the Kringles, the silly joy of quirky weirdness and Christmas gimps isn’t enough to substitute for the convoluted film’s dearth of holiday horror thrills.
Like eggnog on Christmas morning, Christmas at the Kringles is good for a few sips if you’re craving a dose of some light-hearted horror. Just don’t expect a satisfying holiday roast to go with it. The Kringles are fresh out.
Spend Christmas at the Kringles in theaters October 30th via Briarcliff Entertainment.