I Was at the ‘Trick ’r Treat’ Test Screening That Scored a 12 Out of 100. I Called It an “Instant Cult Classic.”
I first met Michael Dougherty at a test screening of Trick ’r Treat in Winnetka, California. I owned Bloody Disgusting […]

I first met Michael Dougherty at a test screening of Trick ’r Treat in Winnetka, California. I owned Bloody Disgusting […]

I’ve always thought you could design one of those questionnaires to give an executive whatever answer they wanted. I’ve also worked with enough idiots over the years to believe somebody heard “R-rated horror movie” and figured the Hostel crowd would do just fine. I have no idea what happened here. I can tell you that if you’d asked me, coming out of Winnetka, what Dougherty’s movie reminded me of, I’d have said a live-action The Nightmare Before Christmas. It’s right there in my review.
Then there was the executive who had a problem with the school bus full of kids going over a cliff. “It was in the script. It was storyboarded in detail,” Dougherty said. By his estimate, he’d already spent a million dollars shooting the sequence. How far into production do you have to get before somebody at Warner Bros. asks what happens to the fucking bus?

Legendary agreed to test the movie again, this time recruiting people from comic shops and Hot Topic. Dougherty remembers the scores going up by roughly 50 percent. That was enough to get some prints made for festivals. Warner Bros. still wouldn’t commit to a wide release, so Legendary tried screening the finished film for other distributors, including Universal and Lionsgate. Lionsgate, of all places, seemed like a pretty good home for an R-rated horror movie in 2007. They passed, too.
“Nobody wanted to touch it. Nobody wanted to distribute it,” Dougherty said.
As much as I loved Trick ’r Treat, I can understand why somebody at Warner Bros. got nervous about spending another $10 million, $20 million, whatever it would have taken to put this thing in theaters nationwide. How do you cut a trailer for four Halloween stories that all fold back into one another? Today you could put Sam on a poster, give him his little half-eaten lollipop and horror fans would know exactly what you were selling. In 2007, most people had never seen that kid in their lives.
Dougherty kept showing the movie anyway. In December 2007, he took it to Austin’s Butt-Numb-A-Thon, where the organizers gave him the final slot of a 24-hour movie marathon. Imagine sitting through an entire day of movies waiting to find out if anybody likes yours. When it was over, people stuck around to tell him how much they loved it. More festival dates followed, word spread, and Warner Bros. finally put Trick ’r Treat out on DVD in 2009.
Years later, Anthony Arrigo called it “a burning love letter to all things All Hallows’ Eve” in his Dread Central review. This past Halloween, Regal put it back in theaters with a restoration of Season’s Greetings, the little animated short where Dougherty first drew Sam. People bought tickets to see a movie Warner Bros. once couldn’t give away to another studio.
Which leaves me where I’ve been for years. Where’s the fucking sequel?
