Dan Stevens Wants Prime Video’s ‘RoboCop’ to Preserve the Original’s Extreme Violence and Satire
If Prime Video is going to bring RoboCop back, there are two things Dan Stevens doesn’t want them to fuck […]

If Prime Video is going to bring RoboCop back, there are two things Dan Stevens doesn’t want them to fuck […]

But there’s another part of RoboCop that I really hope survives this new incarnation: the texture.
There’s something about the future as imagined by movies in the ’80s and early ’90s that I desperately miss. It wasn’t sleek and spotless. It was rusty, clunky, industrial and lived-in. Everything looked like it had been built on top of something that was already falling apart.
You can feel it in RoboCop and RoboCop 2, and later in movies like Predator 2. Even the grimy urban nightmare of To Live and Die in L.A. shares some of that DNA. The future wasn’t an Apple Store. It was fucking disgusting.
That’s RoboCop.
And while we don’t know yet how far Prime Video intends to push the violence, hearing Stevens specifically identify the original movie’s extreme violence and satire as the things worth protecting is a damn good start.


