‘Game of Death’: IMN Acquires First Two Splatter Films
Fans of extreme horror and action films are in for a bloody good time with the Game of Death trilogy, […]

Fans of extreme horror and action films are in for a bloody good time with the Game of Death trilogy, which kicks off this summer with Game of Death Chapter 1: The Six Doors to Hell.
It was announced today that IMN: International Media Network (All Hallows Eve, Quantum Supremacy) has acquired U.S. rights to both Game of Death Chapter 1: The Six Doors to Hell and its sequel Game of Death Chapter 2: Dark Secrets.
In the first film, “Set in a bleak future where the world suffocates under the iron fist of a tyrannical regime, Ken Shiro—driven by unyielding determination—embarks on a perilous mission to locate the gate to Hell and rescue his daughter from the Inferno.”
“The sequel unfolds across two converging timelines, while simultaneously jumping back to 2015 to reveal the origins of what is to come. Serving as both a sequel and a prequel, the narrative follows parallel storylines that inexorably converge, exposing hidden truths, long-buried choices, and the forces that set the apocalypse in motion. As past and future collide, so do two worlds—human and infernal—culminating in a brutal, unavoidable bloodbath that reshapes everything left standing.”
As for Bloodline: Game of Death Chapter 3, the film is currently in pre-production and continues the saga as a direct sequel to both Chapter 1 and Chapter 2.
The third film is set just two weeks after the devastating events of Dark Secrets, the world is still reeling from the aftermath of what was unleashed. Any illusion of safety is gone, and the boundaries between the living and the damned have begun to erode.
The evil forces thought to be defeated have returned stronger, more organized, and far more merciless than before. This time, there are no warnings, no negotiations, and no survivors spared. As bloodlines are tested and long-buried truths come to light, the fight becomes more personal, more brutal, and more desperate than ever. The war is no longer coming—it has arrived.
The films feature FX work from writer/director Timo Rose alongside Francesco Faranna of Rise FX (The Last Voyage of the Demeter (2023), Midnight Mass (2022), Star Trek: Discovery (2017), Star Trek: Picard (2020), Watchmen (2019)).


