Britt Robertson & Rachel Nichols to Find Psychological Horror In ‘Night at the Carriage House’

Britt Robertson (pictured above in Books of Blood) and Rachel Nichols (The Amityville Horror) have been tapped to star in the psychological horror film, Night at the Carriage House, reports Deadline.

“The psychological horror unfolds inside an isolated historic carriage house estate where fame, trauma, manipulation, and buried violence collide.”

“Robertson plays a beautiful rising but troubled Hollywood starlet who accepts what appears to be the perfect secluded retreat, only to uncover a terrifying web of secrets connected to the property’s mysterious caretaker and the haunting legacy hidden deep within its walls.”

“Nichols co-stars as Faith E. Williams, a glamorous former Hollywood icon whose Golden Age stardom was abruptly cut short by her shocking murder decades earlier. Though long dead, Faith’s presence continues to haunt the estate, where dark secrets tied to her tragic past remain deeply embedded within the carriage house walls.”

Hollywood starlets. Ghosts. Murder? This sounds right up my alley.

SJ Creazzo (My Little Demon) directs.

The project hails from Centerboro Productions, headed by Patricia A. Beninati.

Creazzo is also producing under the Dreamality Entertainment banner, with Todd Slater of Convoke Media, Marilyn G. Haft, and Nichols.

Said Beninati, “Both actresses bring an undeniable emotional intensity and sophistication to the screen that perfectly matches the tone of this film. SJ has created a suspenseful, psychologically layered story that feels both commercially compelling and deeply character driven. This is elevated horror with real emotional stakes – haunting, tense, and unforgettable.”

Added Creazzo, “Night At The Carriage House is exactly the kind of elevated psychological thriller I’m drawn to as a filmmaker. It’s intimate, emotionally raw, grounded, and relentlessly suspenseful. Britt and Rachel bring extraordinary vulnerability, intelligence, and unpredictability to these characters, creating a dynamic that feels deeply human while becoming increasingly terrifying. The film slowly tightens like a psychological vise until the very end.”