Clive Barker Wanted to Direct ‘Candyman’ in Liverpool: “A Story From the World From Which I Came” [Exclusive]
Clive Barker wanted to direct Candyman himself, and his version would have brought the horror home to Liverpool. During my […]
![Clive Barker Wanted to Direct ‘Candyman’ in Liverpool: “A Story From the World From Which I Came” [Exclusive]](https://www.dreadcentral.com/wp-content/uploads/2026/10/M8DCAND_EC004.jpg)
Clive Barker wanted to direct Candyman himself, and his version would have brought the horror home to Liverpool. During my […]
![Clive Barker Wanted to Direct ‘Candyman’ in Liverpool: “A Story From the World From Which I Came” [Exclusive]](https://www.dreadcentral.com/wp-content/uploads/2026/10/M8DCAND_EC004.jpg)
So this isn’t Barker looking back and wishing someone would undo Candyman. He clearly loves what Rose accomplished. But there’s something compelling about imagining him directing a version rooted in the place and experiences that inspired him.
For me, the original remains one of the scariest movies ever made. No question. Todd’s character is iconic, and the film’s social conscience has kept it relevant well beyond its release.

The franchise returned with Nia DaCosta’s Candyman in 2021, a sequel connected to Helen’s story that explored gentrification and the continuing exploitation of Black communities.
That film underwent changes during post-production. Editor Catrin Hedström told CineMontage that story problems prompted reshoots and added scenes, while some existing footage found a new place in the finished movie.
Dread Central’s Tyler Doupe’ scored it 4/5 in his review, writing, “DaCosta managed to scare me in new and different ways.”
As for why Barker stepped away from directing features after Hellraiser, Nightbreed, and Lord of Illusions, his answer was wonderfully straightforward.
“I wanted to write big books,” he tells us.
“I had a vision for being an author and making a movie takes multiple years and I just didn’t want to take that much time off from my writing.”
That’s respectable. We tend to look at his absence from directing through the lens of the movies we didn’t get, but he had other stories he wanted to tell.
Still, a Liverpool-set Candyman, directed by Barker himself? That’s a fascinating movie to imagine.
